il popolo del blues

The guitarist, singer and songwriter was born November 23, 1926 in Oxford, MS, and makes his home in Holly Springs, in the hill country above the Delta.

He's lived most of his life in the Mississippi hill country, which, unlike the Delta region, consists mainly of a lot of small farms. He learned his music from his neighbor, Fred McDowell, and the highly rhythmic style that Burnside plays is evident in McDowell's recording as well. Despite the otherworldly country-blues sounds put down by Burnside and his family band, known as the Sound Machine, his other influences are surprisingly contemporary: Muddy Waters, John Lee Hooker and Lightnin' Hopkins. But Burnside's music is pure country Delta juke joint blues, heavily rhythm-oriented and played with a slide. It's only recently that he's been hitting full stride with his tours and his music, thanks to the efforts of Fat Possum Records.
In recent years, the label has issued recordings made by a group of Burnside's peers, including Junior Kimbrough, Dave Thompson and others. Up until the mid-'80s, Burnside was primarily a farmer and fisherman. After getting some attention in the late '60s via folklorists David Evans and George Mitchell (Mitchell recorded him for the Arhoolie label), he recorded for the Vogue, Swingmaster and Highwater record labels.

Although he had done short tours, it wasn't until the late '80s that he was invited to perform at several European blues festivals. In 1992, he was featured alongside his friend Junior Kimbrough (whose Holly Spings juke joint Burnside lives next to), in a documentary film, Deep Blues. His debut recording, Bad Luck City, was recorded and released the following year on Fat Possum Records. Burnside has a second record out on the Oxford-based Fat Possum label, Too Bad Jim (1994). These recordings showcase the raw, barebones electric guitar stylings of Burnside, and on both recordings he's accompanied by a small band, which includes his son Dwayne on bass and son-in-law Calvin Jackson on drums, as well as

guitarist Kenny Brown. Both recordings also adequately capture the feeling of what it must be like to be in Junior Kimbrough's juke joint, where both men have been playing this kind if raw, unadulterated blues for over 30 years. This is the kind of downhome, backporch blues played today as it has been for many decades.
In 1996, Burnside teamed with indie-rocker Jon Spencer to cut A Ass Pocket O' Whiskey for the hip Matador label; he returned to Fat Possum in 1998 for the more conventional Come on In. My Black Name A-Ringin' followed a year later and Mississippi Hill Country Blues was released in 2000.
~ Richard Skelly, All Music Guide